John Singleton Copley

American Colonial Era Painter, 1738-1815 John Singleton Copley (1738[1] - 1815) was an American painter, born presumably in Boston, Massachusetts and a son of Richard and Mary Singleton Copley, both Irish. He is famous for his portrait paintings of important figures in colonial New England, depicting in particular middle-class subjects. His paintings were innovative in their tendency to depict artifacts relating to these individuals' lives.


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John Singleton Copley Watson and the Shark (1778) depicts the rescue of Brook Watson from a shark attack in Havana, Cuba. oil


Watson and the Shark (1778) depicts the rescue of Brook Watson from a shark attack in Havana, Cuba.
Painting ID::  58427
Watson and the Shark (1778) depicts the rescue of Brook Watson from a shark attack in Havana, Cuba.
Watson and the Shark (1778) depicts the rescue of Brook Watson from a shark attack in Havana, Cuba.
   
   
     

John Singleton Copley The Return of Neptune oil


The Return of Neptune
Painting ID::  58428
The Return of Neptune
The Return of Neptune (1754)
The_Return_of_Neptune_(1754)
   
   
     

John Singleton Copley James Warren oil


James Warren
Painting ID::  58429
James Warren
James Warren (1763)
James_Warren_(1763)
   
   
     

John Singleton Copley Mercy Otis Warren oil


Mercy Otis Warren
Painting ID::  58432
Mercy Otis Warren
Mercy Otis Warren (1763)
Mercy_Otis_Warren_(1763)
   
   
     

John Singleton Copley The Boy with the Squirrel oil


The Boy with the Squirrel
Painting ID::  58433
The Boy with the Squirrel
The Boy with the Squirrel (1765)
The_Boy_with_the_Squirrel_(1765)
   
   
     

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     John Singleton Copley
     American Colonial Era Painter, 1738-1815 John Singleton Copley (1738[1] - 1815) was an American painter, born presumably in Boston, Massachusetts and a son of Richard and Mary Singleton Copley, both Irish. He is famous for his portrait paintings of important figures in colonial New England, depicting in particular middle-class subjects. His paintings were innovative in their tendency to depict artifacts relating to these individuals' lives.

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